The Computer History Museum honors an old friend.
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Schwartz’s experimental films of the early 1970s, some commissioned by AT&T itself, and incorporating computer-generated sequences, quickly won worldwide attention and invitations to exhibitions. For the computer-generated sequences, which Schwartz reworked for color and other effects, she was supported by Bell Labs computer graphics researcher, Ken Knowlton. These films remain important milestones, attracting recent historical scholarship and exhibition.
Schwartz’s artistic practice took her into video—incorporating analog and digital effects—and to using graphical workstations for animation, special effects, digital shorts, art analysis, and virtual reality.
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a tip of the hat to Bjarne