a mini-post
First a caveat - I have almost no background in the social sciences.
This week a few people have written about information overload. It’s certainly been with us since the beginning of the 16th century in the Western world and one can make arguments that extend further back. The rate of new knowledge, as opposed to raw information, has increased in many fields, doubling or more every decade and causing many fields to fission into new subfields. It’s a major cause of the imposter syndrome I feel when I’m trying to hack through a paper in low temperature physics for example … sixty years ago there wasn’t a problem thinking about both.
We deal with the information increase by specializing and creating what are often rich traditions. I’ve been able to carry on rich conversations with people where I have no Mandarin and the other person had almost no English by jotting abstractions and drawings of our shared tradition on a blackboard (slate blackboards are another tradition in my field) .
But these traditions blind us to the greater knowledge around us. .. It reminds me of the early experiment where you train a dog to respond to a bell. When you measure the brainwave of the dog you get a clear signal when the bell is rung. Now put a piece of juicy meat before the dog and ring the bell. The bell signal is nowhere to be found - it’s been overridden by the sight and/or the smell of the meat.
It’s funny - we don’t make progress without tradition, but it can also blind us to the greater world.. My belief is it’s important to communicate across the boundaries of the many traditions. I think this is an area where the arts are very powerful. We’re resorting to mechanisms we don’t have a real grasp on.. machine learning comes to mind.. to deal with some of this. There are many views on the subject, but I’m guessing it isn’t as useful as many suggest.
Finally there's an issue in traditions where knowledge doesn’t increase rapidly. How to be kind, how to be a good person, love, peace. Areas where people a long time ago had figured things out within the context of their tradition and arguably we haven’t made progress..
anyway .. just random thoughts on a rainy Spring evening. There are so many issues here that are interesting to think about.
Enjoy the Spring and listen to some music and enjoy some art. And some of you are creatives so create rather than sit back!
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A note on ignorance .. that's a complex subject in it's own right, but the title seems to fit.
beyond 88
Yesterday Om pointed out that it was piano day - the 88th day of the year honoring the 88 keys of most pianos. I read his post a day late, but there's still hope for another celebration with the same name. An obvious choice might involve the Bösendorfer grand where options include 92 and 97 keys in addition to the normal 88. Music has been written for these beautiful instruments, but why stop there?
Press a key on the piano and a hammer strikes one or more strings which begin to vibrate producing a sound. The frequency of the vibration depends on the length of the string with longer strings vibrating at lower frequencies.1 The left most key causes the longest string to oscillate 27 times per second - 27 Hertz (Hz) - while the right most key produces a 4,186 Hz frequency. In between the keys are divided into 7 octaves, each composed of 12 keys. Each octave doubles the frequency so the C above middle C has a frequency twice as high. The notes are evenly divided so each key has a frequency 21/12 times - just under six percent higher than the preceding key.
Now we're ready.
Let's say you wanted a piano with the range of human hearing - usually given as 20 to 20,000 Hz in young children. Going from 4,186 to 20,000 Hz, after a bit of arithmetic, requires 27 extra keys on the right. Five keys on the left will get you to 20 Hz.. One hundred and twenty keys and some long arms would be sufficient to entertain young children to the limit of their range.
But what about dogs? Canine hearing goes up to about 40,000 Hz. All we need to do is add an octave, or 12 keys, to cover their range. Other mammals can hear even higher pitches. Bats top out around 160,000 Hz so we add two more octaves giving us a 156 key instrument. We don't have to go much higher as the atmosphere strongly attenuates higher frequencies. A bat can produce a very loud noise, but even their sensitive ears are only good for a 20 meter range.2
We've left out elephants which go down to about 12 Hz - that works out to 9 keys on the left. We've grown the beastmaster piano to 165 keys. I won't cover whales because pianos don't work underwater.
The game can go on. There are any number of natural sounds of lower frequency (infrasound), but we'll leave it at that..
Well - almost. There are very faint sounds in the universe - ripples that move compress and expand space-time itself. They come across a wide range of frequencies, but exquisitely sensitive instrumentation is required for some of the loudest - like colliding black holes where the energy that goes into the resulting gravity wave can be the equivalent of several solar masses. It turns out the frequency of the first one detected was a chirp that went from about 35 Hz up to about 250 Hz (close to middle C). You can play the signal as audio.
So much information there, but it may not be pleasing so let's end with one of the most demanding pieces for the human voice - in this case a coloratura soprano. The Queen of the Night in Mozart’s Die Zauberflöte.
I'll leave you to find some good piano music today. Perhaps Om's list is a place to start.
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1 It also depends on the mass of the string, its diameter and tension. Additionally a rich set of other frequencies are produced giving the louder central frequency richness and character. There's a good deal of art in the design and construction of a fine piano and none of the sound the same.
2 It's a feature. Longer range would confuse them with signals from other bats, plus they tend to work a few meters from their prey.
Posted at 01:32 PM in general comments, music | Permalink | Comments (2)
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