a shot echoed in the dark

   Our guide, the Director of Development for The Cleveland Orchestra, noted how difficult it was to find matching marble for the lavatories.   There were only two of us and we wanted to set up in the main hall, but impressions must be made and little was being spared in the big three year remodeling job. 

 

Cleveland's Severance Hall is a remarkable place.  A odd mash-up of Art Deco and Egyptian Revival architecture, it was finished during the Great Depression and became home to The Cleveland Orchestra.  Like many symphony halls the acoustics were bad boarding on terrible.  Remodeling a few decades later partly fixed the problem, but in addition to rendering the pipe organ unusable,  was architecturally "wrong."  The work underway when we visited would address all of those issues and make the space one of the best concert halls in the world. 

 

Our company was doing quite a bit with digital music at the time.  There was a relationship with the Rock and Roll Hall of Fame and another with the Oberlin Conservatory.  Two of us who were doing much of the Oberlin work developed a relationship with The Cleveland Orchestra and Telarc Records on the side.¹  At the same time work on sound field reproduction was a serious research topic.

 

The idea behind sound field reproduction sounds simple enough. If you've ever been around live music - or even in a recording studio - you've probably noticed your home equipment can't begin to reproduce the acoustic experience.  The problem stems from the fact that the wavelengths of the sounds we hear range over three orders of magnitude and much of it is similar in size to musicians, audience members, seats, curtains, the room itself, etc etc.  These sounds are reflected, refracted and absorbed.  Moving anything causes a change.  It's a difficult problem that the music industry and Hollywood would love to see solved.  Plus it's an interesting problem!

 

The approach we were using had a microphone array on a tripod.  One up, one down and an odd number between them in the same plane as the floor.  Severance was undergoing acoustic tuning and we were going to set up the array to record some music to compare it with other techniques.

 

We were left alone in the open hall. It was very quiet so I did the obvious thing and clapped my hands once.  There was a lovely echo coming from everywhere at slightly different times.   If we recorded an even better "clap" - an impulse function - we could mathematically play with it and create a signature of the room.²  Armed with this we could have some fun.  We needed to create a good enough impulse.

 

Severance Hall is on the grounds of Case Western Reserve University - a lovely area with good restaurants and a lot of art and music.  (if you ever stay in the area get a room in Glidden House - fantastic little hotel).  I figured the school probably had an athletic department and quickly found a track coach.  I was able to talk him into lending me a starter's pistol.

 

Later that night in the darkened hall a shot rang out - only to be captured digitally.  Then a few more just to make sure there was enough.

 

Back at the Labs we had a special acoustically isolated room - an acoustically neutral room (these are rare and not cheap!)   Using the same microphone array that was used in Severance Hall we recorded some live music with musicians in the area.  The music was convolved with Severance Hall's signature and then mixed down to six channels for playback in the room.  

 

It was fairly convincing..  close your eyes and it really felt like the place the shot rang out in the great hall.   Of course you can do better, but it was a great excuse to have a bit of fun.

 

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¹ Over the years I’d spent some time worrying about image and sound quality. At one point I thought better was - well - better. My epiphany came in the a perfectly restored 66 red Mustang. It was near Cleveland with the head recording engineer from Telarc Records and a seriously good musician from the Oberlin Conservatory. We were talking about where music reproduction might go with sound field reconstruction and dramatically more information than CDs could provide when a favorite Beatles tune came up on the 8 track (gasp! - it *was* an authentically restoration). The volume came up and the two of them were singing along to the music in pure delight. There is something transcendent about the music - even with awful reproduction in that noisy environment. Portable music players with cheap headphones would be good enough for most. As long as there's a personal touchstone.

²  take its Fourier Transform.

Comments

[Bryan William Jones]

I love this... Coach... Hey, Coach. I need your starter pistol. We're doing something inside Severance Hall.