there were always roads

I had the pleasure of chatting with and, more importantly, listening to Rhinnon Giddens.  She's become well known for tracing the importance of African Americans in music and, at the same time pointing out origins are complex and probably too complex to disentangle.

 

She's a singer, composer, and a fine claw hammer banjo player.¹  These days the banjo is most associated with the white South.  It turns out it came from the Caribbean with slavery and was almost exclusively a black instrument until the 1830s and 40s when white America started to absorb it. From there you can follow it back to Africa and from there to the middle East.  

 

Here she plays an Appalachian piece with Francesco Turrisi accompanying on  a middle Eastern frame drum.

Oddly enough the Irish bodhrán is a very recent instrument based on frame drums from the Middle East - so it fits.  

 

Many - probably most - of our musical styles have has roots elsewhere.  These ancestors also have roots and interconnections.  Trade created a cultural connection machine that made its presence known to people who had no idea where the influences were coming from.  It doesn't take too many people to show up on another shore something new - what can seem like straight-up magic.   Then culture takes and modifies what it finds as it grows.

 

There is no unique source or single direction.  

 

There were always roads...

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¹ She's also a MacArthur fellow.  Her music is powerful.  You need to listen.