The Free Music Archive is a library of legal audio downloads from WFMU - a rather quirky, but highly acclaimed free-form radio station in New Jersey. From their about us -
Every MP3 you discover on The Free Music Archive is pre-cleared for certain types of uses that would otherwise be prohibited by copyright laws that were not designed for the digital era. These uses vary and are determined by the rights-holders themselves (please see our FAQ) who feel that allowing a degree of free cultural access is beneficial not only to their own pursuits, but to our society as a whole. The Free Music Archive is a resource for audiophiles of all stripes, and unlike other websites, all of the audio has been hand-picked by one of our established audio curators.
The Free Music Archive is a platform for collaboration between curators and artists, including radio stations, netlabels, venues, artist collectives, museums, music festivals and more. The site combines the curatorial approach that these organizations have played for the last few decades, with the community generated approach of many current online music sites.
Inspired by Creative Commons and the open source software movement, the FMA provides a legal and technological framework for curators, artists, and listeners to harness the potential of music sharing. Every artist page will have a bio and links to the artists’ home page for users to learn more about the music they discover via the Free Music Archive. We also seek to compensate artists directly where possible. Artist, album and song profiles may contain links to buy the full album from the artist and/or label’s preferred vendor(s). Users can also “tip” an artist if they like what they hear, sending a donation directly to the artists’ PayPal account. Artist profiles can include tour dates, encouraging users to step away from the glowing computer screen and see some real live music.
The new study, published in the Royal Society's Open Science journal, looked at how people attending adult education classes grew closer over seven months. The conclusion -- singing groups bonded more quickly than creative writing or craft classes.
Dr Eiluned Pearce, from Oxford's Department of Experimental Psychology led the research. She said: 'One of the key differences between humans and other primates is that we can exist in much larger social groups. Singing is found in all human societies and can be performed to some extent by the vast majority of people. It's been suggested that singing is one of the ways in which we build social cohesion when there isn't enough time to establish one-to-one connections between everyone in a group.
The ice-breaker effect: singing mediates fast social bonding
Eiluned Pearce, Jacques Launay, Robin I. M. Dunbar
It has been proposed that singing evolved to facilitate social cohesion. However, it remains unclear whether bonding arises out of properties intrinsic to singing or whether any social engagement can have a similar effect. Furthermore, previous research has used one-off singing sessions without exploring the emergence of social bonding over time. In this semi-naturalistic study, we followed newly formed singing and non-singing (crafts or creative writing) adult education classes over seven months. Participants rated their closeness to their group and their affect, and were given a proxy measure of endorphin release, before and after their class, at three timepoints (months 1, 3 and 7). We show that although singers and non-singers felt equally connected by timepoint 3, singers experienced much faster bonding: singers demonstrated a significantly greater increase in closeness at timepoint 1, but the more gradual increase shown by non-singers caught up over time. This represents the first evidence for an ‘ice-breaker effect’ of singing in promoting fast cohesion between unfamiliar individuals, which bypasses the need for personal knowledge of group members gained through prolonged interaction. We argue that singing may have evolved to quickly bond large human groups of relative strangers, potentially through encouraging willingness to coordinate by enhancing positive affect.
Associated with shape note singing - a type of music that began in the American Northeast and spread to a few other similar traditions. We used to sing pieces in a folk music society. It is terrific fun for those of us with poor voices as it is primal and often sung at full throttle.
Back in April, Julia Wolfe received a call at her loft space in New York, and ignored it. The the 57-year-old composer was in the middle of a meeting with her colleagues from Bang on a Can, the new music collective she co-founded in the late 1980s, and anyway she didn't recognize the number. Moments later, the phone rang again; this time, it was Bang on a Can's director on the line. Wolfe picked up. "And he said, 'Do you know what's going on out there? You just won the Pulitzer!'" Wolfe explains. "The whole office was screaming. It was a very, very sweet moment. We all put so much energy into making that piece happen."
"That piece" is Anthracite Fields, an oratorio for choir and sextet that Wolfe wrote after being inspired by the stories of coal-mining families in Pennsylvania, and it is this year's winner of the Pulitzer Prize for Music. (As it turned out, the previous call to Wolfe's office had been NPR, seeking a comment.)
The official recording of Anthracite Fields was released Friday, and Wolfe joined NPR's Arun Rath to talk about it.